Producing the most lush, majestic and stunning reverbs ever
The philosophy behind our blueSky Reverberator is simple—take a ridiculously powerful SHARC DSP and dedicate it to doing one thing only: producing the most lush, majestic and stunning reverbs ever. Many hours and sleepless nights in the Strymon sound design labs were devoted to developing the complex reverb algorithms found inside blueSky. We squeezed every last drop of processing power available.
Whether you’re a classic spring reverb fan or a studio rack aficionado, you’ll find your mojo here. blueSky provides three different reverb types, each with three modes, for a total of nine completely unique reverb experiences. blueSky even delivers an extremely versatile plate reverb, a rarity for a stompbox pedal. A full pre-delay and damping section provide deep reverb tone shaping. Add the mod and shimmer modes and you’re in store for unending reverb bliss. Couple that with 24-bit 96kHz converters and 115dB typical signal to noise, blueSky is equally at home on top of a studio console as it is in front of a tube amp.
I’m sure that is true.
Features and controls
The features of the blueSky are reduced with regard to those of the SkyVerb. You won’t have that many reverb machines, nor that many controls and parameters, and you won’t be able to store presets. It is more like any other regular reverb pedal. But it is not just like any other reverb pedal…
You can check the differences between the two Strymon units in this great video by Shnobel.
The Strymon blueSky is also true stereo. You’ll find the four jack connectors in the back of the pedal, aligned with the power supply socket. The blueSky is powered with a standard 9V negative power supply, and you will need to feed it with at least 250mA. It is an awesome pedal, so you’ll need an awesome power supply too.
The pedal have 2 small switches, one of them controlling the type of the reverb (plate, room, spring), and the other to add an additional effect to the reverb: norm (no effect added), mod for some modulation, and shimmer. It also has 5 knobs: Decay, Mix, Low Damp, Pre-Delay and High Damp, and two stomp switches: one for activating the pedal and the other to select a preset, where you can store your favorite sound.
This pedal is true bypass and the dry signal stays fully analog.
This is how the controls work like in the blueSky:
- Decay controls the length of the reverb. Set low for small rooms, plates and short springs. Roll it up for cavernous sounds, big plates and longer springs.
- Mix adjusts the balance between the dry (fully analog) signal and the wet reverberated one. You’ll get a 100% dry at lowest, and 100% wet when turned all the way up. The 50/50 mix occurs at about 3 o’clock.
- Low Damp controls the amount of low damping in the wet signal. When turned counter clockwise you’ll reduce the amount of low end in the reverb decay trail.
- Pre-Delay sets the delay time between the dry signal and the apparition of the reverberated one. This control is great for recreating different environments.
- High Damp controls the amount of high damping in the wet signal. When turned counter clockwise you’ll reduce the amount of high end in the reverb decay trail.
You’ll have amazing experiences when playing through any Strymon pedal. I took it easy trying this pedal in a guitar store in Paris during a work trip, and I got shocked. You won’t have such a great dynamics with another pedal, it responded great to both Strat and Les Paul.
It is a little pricy too, but you have to pay for the best stuff.
Apart from my poor english vocabulary (I’m sorry for that), there is nothing I could say that makes justice for how this pedal sounds like. As it’s said, a single image is worth a thousand words, so check out the videos in the playlist below to listen to the Strymon blueSky.
Simply one of the best reverb pedals you can get.